Sigurd Jorsalfar: Triumphal March Op. 56 (Edvard Grieg) for String Quartet

I've just made available an arrangement of the Triumphal March (Huldigungsmarsch) from Edvard Grieg's Sigurd Jorsalfar, opus 56, for string quartet. It is available at emeraldimp.com and IMSLP.org.

• Sigurd Jorsalfar, suite, Op.56 (Grieg, Edvard) IMSLP
• Music Files : Grieg emeraldimp.com

IMSLP Returns!

So sayeth IMSLP Project Leader Feldmahler:

Open Letter

29 June 2008

Dear Friends of IMSLP, Former Users, Contributors and Supporters:

Some people have doubted that we would keep our word. Some people have questioned our competence. Some people have sworn, despite being sympathetic, that IMSLP was struck down once and forever.

I am here to prove them wrong.

It is with great joy that I bring you news of the resurrection of IMSLP. We continue to believe that the access to our culture and the Arts is a fundamental right of every human being. And holding this belief, we continue in our journey towards the goals of providing public access to the musical public domain, and the facilitation of the study of music, the understanding of music, and the enjoyment of music.

And in this spirit of openness and accessibility, I here officially dedicate the IMSLP to Ottaviano Petrucci, a pioneer whose achievements made music so much more accessible to musicians and music lovers for the past six centuries. IMSLP will henceforth be known as both IMSLP and the Petrucci Music Library. The domain name petruccimusiclibrary.org will soon (in the next few days) redirect to imslp.org.

* * *

Before I go into all the details that are involved in this resurrection, I would like to give proper thanks to several people and organizations that made today possible.

Obviously, this resurrection would be impossible without proper legal support, and I would like to thank the folks at the Canadian Internet Policy and Public Interest Clinic (CIPPIC) and the Stanford Fair Use Project (FUP) for providing crucial support during times of crisis, and Professors Michael Geist and Lawrence Lessig for recommending the IMSLP case to the two legal clinics. Even though IMSLP currently has other avenues of legal support, the support of the two clinics proved a godsend for both IMSLP and myself personally.

In addition, I would like to thank Project Gutenberg leader Michael Hart, and GNU project leader Richard M. Stallman. Mr.Stallman has continuously helped IMSLP, even during the darkest periods and despite what must be a frighteningly busy schedule, and for which I am extremely grateful. I am also very sorry that no deal was reached between Project Gutenberg and IMSLP, but I believe that the current outcome is the best for both parties. I will, however, be very interested in pursuing a mirroring agreement, where Project Gutenberg will have access to the entirety of the IMSLP site, and which should prove very useful in case of an emergency of any sort.

I would also like to thank all the IMSLP contributors whose work was indispensable for the resurrection of the IMSLP, which included a thorough copyright review of all 16,000+ files. I greatly look forward to working with you in the future, towards our common goal.

Last, but very certainly not least, I would like to thank everyone who supported IMSLP in some form or another. You have let your voices heard, and we have answered. IMSLP will continue.


To publishers:

I am very appreciative of the amount of support given to the IMSLP by the users and contributors of the IMSLP, which could be seen directly in the volume of e-mails I received after the shutdown of the IMSLP. But a misconception of our stance seems to have arisen. IMSLP is, by no means, an antithesis of the music publishing industry. Rather, I see some of the goals of both music publishers and the IMSLP to be in many ways the same: both are interested in the promotion and dissemination of music.

Due to this shared interest, IMSLP is very much willing to collaborate with music publishers in the promotion of new music, under a Creative Commons or similar license. I know full well how little of the overall profits come from selling actual scores (and I have no evidence that IMSLP affects those profits to any great extent, if at all), and how much comes from royalties from performances. Would it not make much more sense to use IMSLP to promote new composers, instead of attempting to sue IMSLP for composers who will be entering the public domain all over the world very soon, if not already? Considering the fact that IMSLP contributors and users are made up mainly of musicians and music lovers, isn't IMSLP precisely the audience that music publishers should be working with?

I am heartened by the fact that, indeed, many music publishers have seen IMSLP as a friend, and have indeed used IMSLP in the promotion of their contemporary composers. Perhaps ironically, IMSLP's resurrection is due in no small part to the help of several of these publishers.

However, permit me to make one point clear here in no uncertain terms. IMSLP will continue to oppose organizations who attempt to limit and restrict the already much-shrunken public domain. A primary goal of IMSLP is to facilitate public access to the musical public domain, and thus IMSLP will resist strongly any attempts to shrink the public domain, and will raise the alarm among the general public should there be such an assault upon the world's cultural heritage. The reorganized IMSLP will not be so easily silenced.

But let us not end on such a distasteful note. One member of the publishing industry with whom I have recently corresponded expressed the opinion that the classical music world is too small to fight amongst ourselves. I wholeheartedly agree.


To IMSLP users and supporters:

As you probably have noticed after a quick walk through the site, many things have changed. I have tried to make everything as intuitive as possible, but I do welcome all discussions and questions about new or preexisting features. Official documentation for some of IMSLP's new features is still in progress, but do feel free to seek help on the forums for questions, or simply to leave comments and suggestions for improving the usability of the IMSLP.

And some of you may have noticed the opening of the International Music Database Project (IMDBP). IMDBP is an offspring of IMSLP that is still very much a work in progress (just started I might add), and you can find more information about the goals and time line of the project on the IMDBP main page. There is no major change in the submission process for IMSLP due to the creation of the IMDBP, besides having to click on one extra link, so former IMSLP contributors should find the new system fairly intuitive. Please do not hesitate to contact me if you think the submission system can be improved in some way; this is one of the high priorities on my list.

There are also discussions of major collaborations between other organizations and IMSLP underway. More news on the specifics of a discussion will be posted as soon as the plan is solidified, and both the other organization and IMSLP are ready to make the discussion public.

I have started a backup system for anyone wanting to keep a portion of IMSLP usable offline. A significant amount of files will be available via this system, and anyone interested should take a look at the corresponding page. Due to a variety of concerns including privacy, we are not able to offer public backups of the text on the wiki at this time, but, as I mentioned near the beginning of this letter, we would be very willing to have a mirroring/backup plan with Project Gutenberg, which would include the text.

I have also noticed people asking how they could donate to IMSLP. I have set up a page explaining the ways to donate to IMSLP; some even without actually donating money, though money donations are obviously welcome.

The forum is still where it was before the shutdown, and a blog is well in planning. If someone is feeling generous and is willing to donate a chunk of a server for a Moveable Type blog (Perl based), I would be very grateful.
* * *

Welcome back everyone, and by all means, enjoy your stay!

Yours,
Edward W. Guo (a.k.a. Feldmahler)
Project leader
Contact: feldmahler {at} imslp.org, or leave a message on my talk page.

P.S. This open letter, like the first open letter, is licensed under a Creative Commons Attribution 3.0 license. Please do feel free to translate this letter, and post the translation on this wiki or the forums, so that an IMSLP admin can integrate the translation into this page.

IMSLP is not dead!

From Feldmahler:

I have decided that in order to not kill myself (figuratively) from overload, I will not be taking major actions with regards to IMSLP until the end of this semester (in less than 2 months), unless circumstance dictate otherwise. However, I will continue accepting offers to own or host IMSLP, very preferably by Canadian organizations; please do contact imslp@imslp.org . I will also be responding to e-mails and discussion on the forums, and very possibly prepare and release the IMSLP Mediawiki database within this time. I'm already in the middle of preparations for the continuation of IMSLP. No, IMSLP is not dead :)

And since this has appeared on Slashdot, let me respond here: I greatly thank Gutenberg Founder Michael Hart for his continued support and help offer in this matter. However, I have my reservations about being hosted in the United States, not the least of which being the fact that the US actually has a *much* rarier copyright term than Canada (in fact, US' copyright term is unique). But again, I greatly thank Michael for the offer; I believe that PG and IMSLP share many common goals. Incidentally, I have contacted Project Gutenberg Canada, and am currently awaiting a response.

IMSLP Update

Well, we've certainly generated some press about IMSLP.

Boing Boing says German music publisher claims that nothing is public domain until its copyright runs out in every country.

TechDirt says Canadian Public Domain Not Good Enough For German Publisher.

Howard Knopf of Excess Copyright says Über-Reaching C&D letter from Universal Edition’s CDN Lawyer.

ChoralNet's blog says Copyright vultures score again.

Usenet's rec.music.classical group mentioned it.

Messages from the Ether discusses IMSLP v. corporate lawyers.

Michael Giest, apparently a prominent Canadian lawyer and music-lover, says Canadian Public Domain Told To Cease and Desist.

EDIT: The Register Sheet music site forced offline.

There's definitely some good news: Project Leader Feldmahler is looking for a large institution (ie, probably a university) to partner with to reopen the site. Huzzah!

IMSLP / Universal Edition Cease and Desist Letter

A transcription of the C&D letter from UE follows:

We are the Canadian counsel for and represent Universal Edition AG, the publisher of various composers including B. Bartók, A. Berg, I. Friedman, L. Janacex, G. Mahler, J. Mark, O. Respighi, A. Schönberg, R. Strauss, K. Szymanowski and A. von Zemlinkski ("UE Authors").

It is our understanding that you are the directing mind behind the International Music Score Library Project, ("IMSLP"), as its primary system administrator and founder. As such, you are legally responsible for the conduct of the members of the IMSLP, and have control over and may potentially authorize any copyright infringement committed by individuals who have access to and who may edit the IMSLP.

As you are aware the copyright in the musical scores published by the UE Authors are copyrighted in Europe for a period of at least 70 pears from the date of the author's death, and for 50 years after death in Canada. Certain of these composers' works are further protected in Canada or the United States under the appropriate Copyright Act of these jurisdictions.

It is our understanding that it is possible to filter IP addresses of those who take part in copying files from your site to prevent such unauthorized copyright infringement. However, we further understand that such safeguards are not in place. As a result of the lack of safeguards on the IMSLP from infringing Canadian and European copyright law, you and your organization are involved in a collective effort to breach copyright.

This is a violation of both European and Canadian copyright law.

We therefore demand that you cease and desist from offering on your web site the musical scores and any other copyrighted works of the UE Authors. These works should be removed by no later than October 19, 2007.

We further demand that you institute a filtering system to the IMSLP that would prevent any further uploading of the UE Artists's scores until after the expiry of European and Canadian copyright in those works.

Failing your agreement to these terms, we reserve our client's rights co commence copyright proceedings in Europe or in Canada against yourself personally and against the IMSLP as an unincorporated organization, as well as any other individuals who take part in infringing activity.

Please not that under Canadian law a judgment rendered in Europe is enforceable in Canada and that such a judgment may be enforced against yourself personally.

Please confirm in writing by letter or email to the undersigned to indicate your consent to the above demands by October 19, 2007. If we do not receieve such confirmation by that date we will be seeking instructions with respect to commencing legal action against yourself and your organization.

Yours truly,

AIRD & BERLIS LLP

Ken Clark

IMSLP Open Letter from Project Leader Feldmahler

Today, the following was posted on the main site of IMSLP:

Dear International Music Score Library Project (IMSLP) Contributors, Users and Supporters:

I really tried.

What follows in this open letter is what I hope will be an accurate reflection of my tumultuous thoughts in the past few days.

On Saturday October 13, 2007, I received a second Cease and Desist letter from Universal Edition. At first I thought this letter would be similar in content to the first Cease and Desist letter I received in August. However, after lengthy discussions with very knowledgeable lawyers and supporters, I became painfully aware of the fact that I, a normal college student, has neither the energy nor the money necessary to deal with this issue in any other way than to agree with the cease and desist, and take down the entire site. I cannot apologize enough to all IMSLP contributors, who have done so much for IMSLP in the last two years.

I also understand very well that the cease and desist letter does not call for a take down of the entire site, but, as I said above, I very unfortunately simply do not have the energy or money necessary to implement the terms in the cease and desist in any other way. Prior to this cease and desist I was already overloaded with server maintenance and the implementation of new features (as some of you know). I do not intend this to be an excuse in any way, but I do hope that IMSLP users and contributors may understand, even if very slightly. At the same time, I again apologize profusely to all IMSLP contributors that it has come down to this.

Another major reason behind me taking the server down is the fact, which I have been made painfully aware of in the last few days, that I can no longer support IMSLP adequately. Rather than limping along and having to take down the site later on, I believe it is best to take the site down right now, so as to not waste the further efforts of IMSLP contributors.

I have to thank here the great efforts on the part of two outstanding university law teams with regard to this case, and the very helpful advice and assistance that I have received pro bono. I cannot imagine what I would be like right now without their legal and moral understanding and support.

* * *

Since this open letter will be all that is left of IMSLP, I would like to explain here my original purpose and vision in the creation of IMSLP, because I do not think I ever told this to any IMSLP contributor (except one librarian who asked a long time ago).

I originally conceived of this project after visiting a certain country a few years ago. In what is one of the largest bookstores there, I discovered less than ten orchestral scores. As a musician and music lover, I find unacceptable the fact that such a wonderful thing as music can be so inaccessible in certain regions of the world. I believe that access to our culture and the Arts is a fundamental right of every human being, and not simply a privilege. Therefore, I had created IMSLP with the intention that music, which is in the public domain, should be freely accessible to every single person.

And it is solely for this purpose that I have spent so much time, money and energy in creating and maintaining the IMSLP. I have paid all the server bills myself, and have not received a single penny for anything I have done in relation to the IMSLP. I am not saying this so people may pity me, but just to put to rest any concern that I had any ulterior motive in the creation of the IMSLP.

* * *

I owe a great debt to all IMSLP contributors and users. At the beginning of IMSLP, I would have never imagined in my dreams the amount of dedication and love of music which drove IMSLP contributors to spent countless hours on IMSLP promoting music, making IMSLP the biggest online public domain music score library in less than two years. You are among people with the most passion for music that I have met in my life.

Be proud. Be proud that you were a contributor of the IMSLP. Regardless of what happens, I refuse to believe that the vision of the IMSLP, and what you did for that vision, was wrong. I hereby give you the right to curse me and flame me as a failed project leader.

* * *

So what happens now?

I will keep the IMSLP forums online for as long as there is interest. You may access it at imslpforums.org.

I will release the IMSLP Mediawiki extensions to the public in the hopes that other people will find them useful. I will also prepare a copy of the IMSLP Mediawiki database (i.e. the text on the site), with private information removed, and send it to anyone who requests. In addition, I will be willing to help and transfer the 5 IMSLP domain names to any organization who would like to continue IMSLP in some form or other; please contact me via imslp@imslp.org if you are interested.

The IMSLP extensions are licensed under the GPL, and the IMSLP Mediawiki database is licensed under the GFDL. This letter itself is licensed under the Creative Commons Attribution 3.0 license.

If you have any questions or comments for me regarding IMSLP or this situation, please send an e-mail to imslp@imslp.org, and I will try to answer all of them. You may also use the forums if you believe that the question can be answered by other IMSLP contributors. Translations of this letter are very much welcome; you may post them on the forums, and I will move them to the main site.

* * *

In closing, I would like to give my uttermost thanks to people who have helped IMSLP in the past two years. I say this in no particular order.

I would like to thank everyone in the IMSLP moderation team. You did all the grunt and janitorial work that kept IMSLP running so smoothly for almost two years.

I would like to thank everyone in the IMSLP copyright review team. You have done way more than enough, and this incident at hand is in no way due to any fault on your part.

I would like to thank everyone who participated in redesigning the IMSLP website. Without you, it would have been impossible for a HTML-illiterate person like me to bring IMSLP to anywhere near the prettiness and ease of use that the final IMSLP website was. It is a great pity that IMSLP v0.5 was stillborn; it held the results of your recent labours.

I would like to thank everyone in the IMSLP translation team for tirelessly translating IMSLP into eleven different languages so that IMSLP can be useful to many more people.

I would like to thank everyone who participated in the IMSLP official projects for being a main driving force behind IMSLP. The project to make available the Bach-Gesellschaft Ausgabe properly categorized and in its entirety, which was almost finished with one book to go (out of 46), will I am sure be sorely missed.

I would like to thank everyone else who contributed to IMSLP. You were and will always be part of the soul of IMSLP.

I would like to thank my host iWeb8 for the great experience I've had with them. Without them IMSLP would have not been possible. I strongly recommend them for anyone who is looking for hosting.

I would like to thank the Lighttpd development team and the Debian project, among many others, who write and provide great free software that was able to withstand a beating and then some.

I would like to thank the Mediawiki development team, not only for making a project such as Wikipedia (and, of course, IMSLP) possible, but also for writing very pretty and extensible code. I still throw fits after looking at the parser, but that is probably my fault.

I would like to thank all the libraries and educational institutions who have shown great interest in IMSLP. I am very sorry this has not worked out, but I was very happy for your support.

Last but not least, I would like to thank everyone who promoted IMSLP on blogs and forums; I check the referrals every once in a while, and am always very happy when I read about someone finding IMSLP useful for them.

And to everyone that have helped IMSLP and me over the past two years, I am forever in your debt.

* * *

Let me end by quoting Vershinin in Chekhov's play Three Sisters:

"And I wish I could make you understand that there is no happiness for us, that there should not and cannot be. ... We must only work and work, and happiness is only for our distant posterity. If not for me, then for the descendants of my descendants." (thanks Project Gutenberg)

May we meet again under happier circumstances then.

Yours,
Feldmahler
Former project leader of the IMSLP

IMSLP has closed

The International Music Score Library Project has closed.

The brief story is as follows: On October 13, Feldmahler received a cease-and-desist letter from Universal Edition demanding unreasonable action be taken, based on (in my non-lawyery opinion) suspect legal reasoning and the usual money-grubbiness that you expect from corporations. He was given until today, October 19, to respond, and, after consulting with legal counsel, decided that, even if we were in the right, it would be too expensive and time-consuming for him to fight. So, with much regret, he has closed IMSLP.

Universal Edition's actions are despicable. I wish I could express my disappointment and anger currently.

What will happen now is unknown. But I pledge this: I will continue my scanning projects in the spirit of IMSLP, and will make available those pieces that I have.

Because Feldmahler is right: culture and art are for everyone, not just those who can afford it.

Long Live IMSLP!

One reason IMSLP is an important resource

One reason I contribute to IMSLP is that the scans on the site can (with, perhaps, a few exceptions) be used by anyone to create new, worthwhile material. Although this is a simple example, I'll point to a recent Mutopia release, Scriabin's Etude in c#, Op. 2 #1, which is based on the IMSLP score (http://imslp.org/wiki/3_Pieces%2C_Op.2_%28Scriabin%2C_Alexander%29). Now that this piece has been transcribed into Lilypond format, it can more easily be updated, arranged, or reformatted, which benefits anyone who is interested in it. And, although this piece is just a piano piece, many other pieces are made available this way, including ones for which individual parts are not widely available.

And that's why IMSLP in particular—and the public domain in general—are important.

IMSLP: Viola Sonata, Op.49 (Rubinstein, Anton)

Hidey-ho, neighborinos!

Yesterday, I uploaded Anton Rubinstein's Viola Sonata, Op. 49. There are two files: the piano score (34pg, 2.8MB), and the viola part (9pg, 705KB). Enjoy!

IMSLP: Cello Concerto No.2, Op.104 (Dvořák, Antonín Leopold)

Yesterday, I posted Dvořák's Cello Concerto No.2, Op.104 (Complete score, ~7MB, 76 pages) to the IMSLP.

IMSLP: Borodin, String Quartets 1 & 2

Today, I posted scans of Borodin's String Quartet No.1 (4MB, 46 pages) and String Quartet No.2 (3MB, 48 pages) to the IMSLP.

IMSLP: String Quartet No.3 in e-flat minor, Op.30 (Tchaikovsky, Pyotr Ilyich)

I thought that maybe I could drive a little more attention to IMSLP by posting when I upload a new piece (Ok, I admit it, it's also a vanity thing), so...

Today I posted a scan of Tchaikovsky's String Quartet No.3 in e-flat minor, Op.30 to the International Music Score Library Project (IMSLP). It's about 3.4 MB, 47 pages long, and, for those of you unfamiliar with IMSLP, is a PDF. Enjoy!

International Music Score Library Project

I found this site, the International Music Score Library Project, and I just about fell out of my chair! Very cool.